Nov 152012
 

Background image for the first two poems of The Story of Gitanjali

I realised this morning that I had missed this year’s European Day of Multilingual Blogging, which was actually yesterday. Now in its third year, it’s the brainchild of my friend Antonia Mochan at the European Commission’s UK office. As it’s still Internet week Europe, I hope she will accept this slightly late entry! [Update: She did, awarding this post the prize for the entry with the most languages involved – thanks, Antonia!]

In my previous post, I wrote about the world premiere of the third and final film of our Tagore dance film trilogy: Chitrangada. The first half of the evening was a performance of The Story of Gitanjali . This included poems from Tagore’s English Gitanjali recited in 13 European languages and the corresponding Tagore songs performed by Manini Mukhopadhyay, Sayan Bandyopadhyay and Kaberi Chatterjee, with Asit Ghosh on tabla and Tirthankar Roy on esraj. I narrated and directed the show.

So, for my contribution to the European Day of Multilingual Blogging, here are the poems from that performance.

1 Dutch: Jee Reusens – This is my delight, thus to wait and watch at the wayside – Translation by Victor van Bijlert

2 French: Arlette Schreiber – Where the mind is without fear and the head is held high – Translation by André Gide

3 Polish: Maria Glowacz – Clouds heap upon clouds and it darkens. – Translation by Jan Kasprowicz

4 Romanian: Raluca Zaharia – The day is no more – Translation by George Remete

5 Italian: Adriana Opromolla – You came down from your throne and stood at my cottage door. – Translated by Adriana Opromolla

6 German: Konstanze Hanreich – Thou hast made me endless, such is thy pleasure. – Translation by Marie Luise Gothein

7 Hungarian: Ágnes Kaszás – Thou hast made me known to friends whom I knew not. – Translation by Babits Mihály

8 Spanish: Luisa Castellanos – Light, my light, the world-filling light – Translation by Zenobia Camprubí Aymar & Juan Ramón Jiménez

9 Russian: Alexandra Shlyopkina – I am here to sing thee songs. – Translation by J Baltrushaitis

10 Greek: Olga Profili – When my play was with thee I never questioned who thou wert. – Translation by Olga Profili

11 Swedish: Sofie Gardestedt – Thus it is that thy joy in me is so full. – Translation by Andrea Butenschön

12 Czech: Josef Schwarz – I know not how thou singest, my master! – Translation by Dušan Zbavitel

13 English: Prajña Paramita – When I go from hence – Version by Rabindranath Tagore

Aug 182012
 

Poster for the Brussels premiere of Chitrangada

On Thursday, we received the posters and ‘visiting cards’ for the premiere from the printers. Kaberi and I were both excited to see the results. Between this and travelling, I am again running over a day behind schedule with my blog post. To catch up, I include an update for yesterday’s developments as well.

One of these was the confirmation that our friend Adriana Opromolla, who translated the subtitles of Shyama into Italian, will be in Brussels to recite a poem in Italian during The Story of Gitanjali at the premiere of Chitrangada. While looking for the Italian translations of the poems in The Story of Gitanjali for her, I discovered that there have been around 12 Italian editions of the Gitanjali over the years.

Adriana had also kindly provided the Italian voiceover of one of our first audiovisual efforts: a trailer for Kaberi’s Manipuri dance performances.

I had mentioned in my previous post that Tagore’s works are being translated into Chinese. Yesterday morning, I heard that Chitrangada has been translated into Chinese by Professor Mao Shichang of Lanzhou University. In March 2012, at his initiative, students at Lanzhou University staged a Chinese language production of Chitrangada for the first time.

In January 2011, Professor Shichang wrote a paper on Tagore’s philosophy of universal love – Tagore and China. Professor Shichang is clearly a fan of Tagore. His PhD from Jawarhalal Nehru University in Delhi was on the depiction of women in Tagore’s literature.

According to an article in China Daily reporting on the performance of Chitrangada in March, when Tagore visited China in 1924, an English adaptation of his play Chitra was performed to celebrate his birthday. Tagore had originally written Chitra in 1892 and returned to it over four decades later to develop it into the dance-drama Chitrangada in 1936.

In an interview with the Hindustan Times, Professor Shichang revealed that his association with Tagore began in his childhood, when he had read Tagore’s poems, “which refreshed and warmed my thirsty soul like spring wind”. It was his dream to study Tagore in India, as he did from 2002. The performance of Chitrangada in Chinese with 60 students from eight departments of Lanzhou University became a tribute that he had never imagined he would be able to give to Tagore.

According to Professor Shichang, “Chinese people like the natural and fresh style of [Tagore’s] writing. His spiritualism echoes in people’s hearts. … [Chinese people], no matter whether they believe in religion or not, feel some supernatural power through his works. …Modern people can seek peace and sobriety, and avoid the hustle and bustle of their lives, through Tagore.”

Ambassador Jaishankar, the Indian Ambassador to China, added that “There is a sense of Tagore as an intellectual bridge between India and China, and as a person who stood up for China during difficult days. There is also a much greater appreciation of Tagore today, and of the things he said back in the 1920s. … there isn’t a single Chinese university where they do not know Tagore.”

I hope some day Kaberi and I have the opportunity to meet Professor Shichang.

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