Kaberi and I began yesterday by exploring Sayan’s page on ReverbNation. We ended up listening to all 12 of his songs published there, which included 8 from his solo performance at the Rabindra-Okakura Bhavan in Kolkata on 10 September 2011. If you are one of the many millions of fans of Rabindrasangeet (Tagore songs) around the world, you will be impressed.
The Story of Gitanjali may not be as elaborate as the opening ceremony of the Olympics. However, it does need careful preparation and planning. Apart from the audience in the Gold Hall of the Square Brussels, where we will be on stage, we also need to keep in mind those who will be watching it on screens elsewhere.
The performances of Shyama in Egypt took place the week before the first anniversary of the popular revolution which made Tahrir Square the focus of international attention, deposed President Hosni Mubarak and launched the “Arab Spring” last year. It was an exciting time to be there.
There was an article about the performances of Shyama at the Cairo and Alexandria Opera Houses in the Egyptair in-flight magazine, Horus. The article was the same size as one about the performances of Aida at the Cairo Opera House at the end of January! The performances were also included in the magazine’s events calendar for January.
I know already that I will need more than one post to do justice to the experience of presenting Rabindranath Tagore’s last dance-drama, Shyama, on tour in Egypt. The tour by Kaberi and a team from Santiniketan was organised by the Maulana Azad Centre for Indian Culture in Cairo, together with the Indian Embassy there, to celebrate Tagore’s 150th birth anniversary. It was sponsored by the Indian Council for Cultural Relations as part of a cultural exchange programme between Egypt and India, in association with the Egyptian Ministry of Culture.